Koolkonnad:
Firenze
Rooma
Veneetsia - kompositsiooni põhielemendiks värv, joonistuslik osa on taandatud, valguse kujutamine, värvide ühendamine
Firenze
Rooma
Veneetsia - kompositsiooni põhielemendiks värv, joonistuslik osa on taandatud, valguse kujutamine, värvide ühendamine
Lorenzo Ghiberti
Filippo Brunelleschi
VARARENESSANSS
ARHITEKTUUR
Tsentraalperspektiiv/lineaar- ehk joonperspektiiv, esemete paralleelsed jooned jooksevad näiliselt kokku ühte või mitmesse punkti ühisel horisondil esemete taga.
Inimkeha kujutamine polnud jõudnud täieliku meisterlikkuseni
Tsentraalperspektiiv/lineaar- ehk joonperspektiiv, esemete paralleelsed jooned jooksevad näiliselt kokku ühte või mitmesse punkti ühisel horisondil esemete taga.
Inimkeha kujutamine polnud jõudnud täieliku meisterlikkuseni
Filippo Brunelleschi
Leon Battista Alberti
SKULPTUUR
Inimkeha kujutamine pole jõudnud täieliku meisterlikkuseni
Inimkeha kujutamine pole jõudnud täieliku meisterlikkuseni
Donatello (1386-1455)
Lorenzo Ghiberti
KÕRGRENESSANSS
Leonardo da Vinci (1452-1519)
"The list of occupations that could be used to describe the work of
Leonardo di ser Piero da Vinci (1452-1519) is pretty impressive:
painter, architect, musician, scientist, engineer, inventor and writer
are just some of the trades Leonardo became involved in. He was born in
the Tuscan village of Vinci, and trained in Florence under Andrea del
Verrocchio, with whom he also collaborated on several occasions.
Leonardo made his mark on the art world with his personal techniques that a host of artists emulated. The two major painting methods associated with Leonardo are chiaroscuro (contrasting very dark backgrounds with highlighted illuminated subjects) and sfumato (the art of clouding and blending paint to become a smoky border). But the amount of paintings attributed to Leonardo isn’t huge, considering how big a name he has become; his journals and sketchbooks have become a key part of the interest in Leonardo, as they reveal so much about his interests in science and anatomy."
(http://artmastered.tumblr.com/post/55794533245/leonardo-da-vinci)
Leonardo made his mark on the art world with his personal techniques that a host of artists emulated. The two major painting methods associated with Leonardo are chiaroscuro (contrasting very dark backgrounds with highlighted illuminated subjects) and sfumato (the art of clouding and blending paint to become a smoky border). But the amount of paintings attributed to Leonardo isn’t huge, considering how big a name he has become; his journals and sketchbooks have become a key part of the interest in Leonardo, as they reveal so much about his interests in science and anatomy."
(http://artmastered.tumblr.com/post/55794533245/leonardo-da-vinci)
- Tema teoreetilised tööd on sama väärtuslikud kui tema kunstiteosed
- Paelusid inimese afektid, kujutas neid kogu nende keerukuses ja mitmekülgsuses
- Analüüsiva mõistuse tõttu väljendus loomingus soojuse ja terviklikkuse vähesus ja külm kiretus
- Kasutas paralleeljooni ning sidus neid õrnade viirutustega, mis andis esemetele reljeefsuse
- Kolmnurk kompositsioon
Michelangelo (1475-1564)
(http://daysofsilence.tumblr.com/post/78807761643/michelangelo-buonarroti-born-march-6-1475)
"Described in the 16th century by Giorgio Vasari as the greatest artist of his time, Michelangelo di Lodovico Buonarroti Simoni (1475-1564) is perhaps the artist to best represent the development of the Italian Renaissance; his work is frequently considered to signify its peak. He excelled in painting, sculpture and architecture, as well as experimenting with poetry, and at a time where artists were broadening their minds into areas of science, mathematics and classical studies, Michelangelo was undoubtedly able to hold his own.
He worked on the interior of the Sistine Chapel in the Vatican City and this is where several of his most famous pieces can be found, such as The Creation of Adam and The Last Judgement . Michelangelo’s representations of the male human figure are meant to be the most beautiful and naturalistic in existence and can be epitomised in his statue of David (though the proportions of this particular statue have often been criticised!) Several replicas of David are in existence, and one can be seen in London’s V&A Museum.
Many works are attributed to Michelangelo, though not all with complete confidence, and various plans were unfinished at the time of his death. But Michelangelo has certainly stood the test of time and his paintings, sculptures and architecture are all placed at the summit of High Renaissance art."
(http://artmastered.tumblr.com/post/55895211991/michelangelo)
He worked on the interior of the Sistine Chapel in the Vatican City and this is where several of his most famous pieces can be found, such as The Creation of Adam and The Last Judgement . Michelangelo’s representations of the male human figure are meant to be the most beautiful and naturalistic in existence and can be epitomised in his statue of David (though the proportions of this particular statue have often been criticised!) Several replicas of David are in existence, and one can be seen in London’s V&A Museum.
Many works are attributed to Michelangelo, though not all with complete confidence, and various plans were unfinished at the time of his death. But Michelangelo has certainly stood the test of time and his paintings, sculptures and architecture are all placed at the summit of High Renaissance art."
(http://artmastered.tumblr.com/post/55895211991/michelangelo)
Sixtuse kabel
The frescoes decorating both the walls and the ceiling of the Sistine Chapel in the Apostolic Chapel, the pope’s official residency, are often considered to represent the absolute peak of High Renaissance painting, particularly concerning the works of Michelangelo.
(http://artmastered.tumblr.com/post/55904135992/sistine-chapel)
Virtuaalne külaskäik Sixtuse kabelis: http://www.vatican.va/various/cappelle/sistina_vr/index.html
Virtuaalne külaskäik Sixtuse kabelis: http://www.vatican.va/various/cappelle/sistina_vr/index.html
- Teda paelus inimene, mitte loodus tervikuna
- Võlusid inimese kehahoiak ja liigutused, tema kõlbeline jõud, tahe ja kirg
- Arvestas mitmete vaatluskohtadega
- Inimese käsitlemisel jälgis vararenessansi põhimõtteid
- Väljendas end peamiselt plastilise vormi ja joone kaudu
- Värv oli teisejärgulise tähtsusega
- Kavandas tohutul hulgal töid, kuid ei jõudnud neid realiseerida
RaFFAEL (1483-1520)
- Noorena elas Umbrias ja Firenzes, 1508 suundus Rooma, kus arenesid tema loomingulised jõud. Elas seal töötades paavstile terve elu.
- Ta väljendas klassikalise kõrgrenessansi maalikunsti kõige puhtamalt.
- Pani oma kujudesse siirust ja sisemist graatsiat
- Armastas luua ideaalkujusid
- Teda jätsid külmaks detailid, keskendus harmooniale ja klassikalisele ilule.
- Omas mõjutusi mitmetelt teistelt kunstnikelt
- Nõtke pliiatsikäsitlus
- Võime liikumisi omavahel tasakaalustada
- Püramidaalne ülesehitus
- Tundeline kontuurjoon
- Vormiselgus ja harmoonilisus
- Sümmeetrilisus
- Ta oli esimene suur kunstnik, kes kasutas tööde juures ka oma õpilaste abi.